The upbeat = e (not used by Mozart) must not be played as belonging to the following melody.
Duetto (Originaly Duettino, andante) (Don Giovanni-Zerlina.) Don Giovanni begins: |
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Là. ci darem la mano | (Dort, Hand in Hand verschlungen, |
là mi dirai di sì; | gibst du das Jawort mir, |
vieni, non è lontano, | folg' mir nun ungezwungen, |
Andiam, mio ben, di qui. | es ist nicht weit von hier.) |
(The last row is to be repeated.) | |
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Vorrei- e non vorrei, | (Ich will- und wieder zag' ich- |
mi trema un poco il cor i | Unschlüssig schlägt mein Herz; |
felice, è ver, sarei, | Was fürcht' ich- und was wag' ich?: |
ma può burlarmi ancor. | Am End' ist's nur ein Scherz.) |
The contrasting characters become now united and commonly resolve to cheerful expectancy: |
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Andiam, Andiam, mio bene | (O komm, so laß uns eilen |
a ristorar le pene | den süßen Schmerz zu heilen, |
d'un innocente amor. | im liebenden Verein.) |
The �Piacevole" pleasing, should also be an easily-joyful play to the audience (that is watching at the same time). Notably this applies for the Scherzando postscript.
Orchestra part which should be distinct from the Sung, and to be played without pedal.
The "Scherzando" should be played absolutely strict, the dance rhythm tempo without fluctuation.�Therefore measure the speed of the scale, so that the first three of them fall exactly on the center of the bar, the later precisely on the upbeat.
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